Produced for $5 million, Dirty Dancing raked in more than $213 million, making it one of the most successful independent films ever made. "Do you see what that means?" he said, "It's only the fifth day and they must already have seen it enough times to know the words by heart." On the fifth day, she was sat in a cinema on 84th Street when her husband, Michael Goldman, noticed that the girls in the row in front were singing every word to one of the songs. Upon Dirty Dancing's New York opening on August 17, 1987, screenwriter Eleanor Bergstein was so convinced it would close early that she went to every show. "That," sighs Gill, "is such a man's question.
Does it bother anyone else, I wonder, that the soundtrack keeps hopping between early-'60s classics and horrible, over-processed '80s ballads without any explanation whatsoever? The soundtrack CD is blaring, the rosé is flowing, the chocolates are disappearing fast and I am asking all the wrong questions. The twain are destined never to meet – otherwise the most successful film in history would be called The Dirty Dancing Dozen.īut what if men are missing something important? Shouldn't men attempt to decode the mysteries of a film so sacred to the female heart? And what better way to mount an investigation than convening a seven-woman study group in the form of a slumber party – Gill, Hannah, Kaisa, Lucy, Lyndsey, Rori and Sara – to watch the film while I frown and nod and take notes like a weirdo?
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Equally, women are less likely to obsess over films full of Nazis and explosions.
In the same way that they don't tend to read Judy Blume novels, act out the lyrics to I Will Survive or treat themselves to a long day at the spa, men do not, as a rule, 'get' Dirty Dancing.